The artist creates hyper-realistic airbrushed paintings based on photographs taken in museums, coining the term “photocentric” to describe this hand-crafted, mimetic approach. Although the works often resemble digital prints, they are entirely painted by hand, aiming to provoke a shift in viewer perception upon closer inspection. For nearly 50 years, the artist has focused on reinterpreting artworks and artifacts, particularly their display within institutions, in a series titled Museum Studies. The paintings explore how we perceive and value art through mediated systems of seeing. The process involves a transformation—from photographic capture to painted image—that questions ideas of craft, illusion, originality, and cultural meaning. In the latest series, Recycled Collages, the artist revisits archived visual material, creating new paintings from digitally composed collages and scans.